My fondest memory was the moment when Coralee’s group teacher asked who could play “Happy Farmer” – Coralee looked at me with a knowing glance and we both giggled about our little inside joke. I’m confident I heard Twinkle over 100 times that week, and it was beautiful every time! By the end of the week Coralee had learned a lot and become an even better Suzuki student, and I had also become a better Suzuki mom.īeyond the music part of the week, we had a special week of mother/daughter time playing in the hotel pool, going bowling with the other Suzuki kids, and eating at restaurants where we always ordered desert! And I smiled as I watched her voluntarily get her violin out of the case, sit down on the playground and play music while her friends climbed on the equipment all around her. I’d never learned it, but my Suzuki instincts told me to watch my teacher and play along. I watched with pride as she absorbed Perpetual Motion and played all the right notes with the group even though she hadn’t learned that piece in her lessons. Come on up here I enthusiastically thought to myself, I’m happy and I live on a farm, I ran up to the stage, violin in hand and started playing the song. By the end of the week she was learning to play in groups with techniques that were preparing her for orchestral playing. Coralee became more and more aware each day that the foundation we were learning at home meant that she could learn more advanced songs and accomplish bigger more exciting things on her instrument. I watched as she made new friends, learned new techniques and saw more advanced players. I knew that attending that Suzuki Institute when I was a kid inspired me, and I hoped to give that same inspiration to Coralee. She thought it was SO funny that I did something so ridiculous. I shared this story with Coralee as we drove to Atlanta for the Suzuki institute. My mom watched horrified from the audience as I confidently played along, you see, I had not learned “Happy Farmer”, but that didn’t stop me from trying. The full title is The Happy Farmer, returning from work. 68, a collection of 43 short piano compositions that he wrote for his three daughters in 1848. I’d never learned it, but my Suzuki instincts told me to watch my teacher and play along. The Happy Farmer is a melody from Robert Schumann's Album for the Young, Op. I remember vividly when the teacher said, “Who’s a Happy Farmer? Come on up here!” I enthusiastically thought to myself, I’m happy and I live on a farm, I ran up to the stage, violin in hand and started playing the song. He composed a collection of 43 easy piano pieces for them, "Album for the Young", and The Happy Farmer is one of these pieces. As with our other singalong songs, the words reflect the musical structure, which is little unusual here: A1 - A1 - B - A2 - B - A2, with the A section having two different endings.When I was 5 years old, my mom took me to a Suzuki Institute. Meanwhile, he had fallen in love with his piano teacher's daughter, Clara Wieck - herself a wonderful pianist - but her father was very opposed to their marriage. Robert eventually won out, though, and married her in 1840 after a court battle.īy 1848 he and Clara had three young daughters (they eventually had eight children, seven of whom survived). Unfortunately a hand injury put an end to that idea, so thereafter he focused on composing. He was a brilliant pianist and intended to make a career as a perfomer. German composer and pianist Robert Schumann lived from 1810 to 1856.
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