![]() Phone charge leads are fibrous veinal columns:Ĭonnecting, reaching, formatting a virtual, The M25: a beating pulse, ventricles, a central pathway. Tarmac veins cast steely maze-like patterns A blood outlet.ĭrops plummet from airborne wings as they riseĪ bringing of nourishment, safety, scarlet-clad, In a frenzy of duty, service, long shifts.Ĭity airports heave with a throng of tourism –Įach department gate an exit. Nurses, doctors, registrars skittle towards pins Sacred hearts in the palms of its metal soul.Įach cubicle a tiny blood clot hiding drama, With this flippin’ ‘social bubble’ Catch a Virusįor better days ahead What if it’s just Nature?Ĭraved tourists to taste the city’s sweetest wares Recordings of these are included with the following contributions where we have them. ![]() Some of the other contributions were read at a Zoom session in Ledbury’s online Festival in July 2020. This poem was later made into a short film that is now on YouTube Thank you to everyone for their contribution. I have found these poems extremely resonant, and I hope you will too. Other ways of thinking about, or seeing, what is happening in this present time. Nonetheless, in reading these poems, I find reflections on, and insight into, my own experiences. I am aware, as many people are, that for people and places in the world, the challenges are huge and sometimes extremely harrowing, compared to my own. Though of course everyone’s individual experience of this situation is unique. These poems were written during Lockdown and the Coronavirus pandemic, at a time when it seemed the whole country, and in fact the whole world was going through the same crisis. They read alongside poets who submitted to Ledbury Poetry Festival’s online call out. The event featured a fascinating selection of Lockdown inspired poems, including poets commissioned by LPF, Naomi Shihab Nye, Sarala Estruch, Suzannah Evans, Elaine Beckett and Kim Moore. On Sunday 5 July 2020 there was a Poetry of the Lockdown event as part of Ledbury Poetry Festival Online. This map has yet to be released.Thank you to everyone who has submitted Lockdown poems. Like in The Inn, the jumpscares are slightly longer and featuring the classic scream-in-your-face, followed by Nathan munching on your insides. It's unique in its use of vents as means of transportation between rooms(though, they server no purpose of hiding you as Nathan and the minions can go in no problem). The Slaughterhouse shares The Farmhouse mechanics(lure and sacrifice an animal). While this is probably the easiest level, it is still recommended that players start with The Farmhouse. Jumpscares in The Town are mild compared to the previous three levels. The Town shares a lot of The Inn's mechanics, but is significantly easier. ![]() The Inn is considered the most difficult map by a landslide, This map features a significant amount of mechanics not seen in the previous two maps. ![]() It is based in rural Japan in Zara's Inn. The Inn is a very unique and difficult map. The level is significantly bigger than The Farmhouse, with long corridors offering time to stagger Molly. Players have to rescue possessed Molly, who is haunting the asylum after having successfully summoned Azazel. The Asylum is conceptually similar to The Farmhouse, with the ritual being almost identical. It is recommended that players start with this map. The level is quite small and reasonably difficult, with 4 levels basement, ground floor, 2nd level, and attic. It is based on a property of Anna Puerta. The Farmhouse was the first level to get added. ![]() If players considered The Farmhouse and The Asylum difficult, it is best to avoid the spider-based map The Inn for last, as it is the most difficult map. While difficulty varies significantly across maps, it is recommended players play the maps in the order they were released. Each map is different and requires different items for the ritual. ![]()
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